66 Following

Arbie's Unoriginally Titled Book Blog

It's a blog! Mainly of book reviews.

Currently reading

Armageddon Outta Here
Derek Landy
Progress: 74/479 pages
V for Vendetta
David Lloyd, Alan Moore
Progress: 28/296 pages
Woken Furies
Richard K. Morgan
Progress: 315/565 pages
Introduction to Topology
Bert Mendelson
Progress: 10/224 pages
Basics of Plasma Astrophysics
Claudio Chiuderi, Marco Velli
Progress: 58/250 pages
Ursula K. Le Guin: The Complete Orsinia: Malafrena / Stories and Songs (The Library of America)
Brian Attebery, Ursula K. Le Guin
Progress: 454/700 pages
A Student's Guide to Lagrangians and Hamiltonians
Patrick Hamill
Progress: 7/180 pages
Complete Poems, 1904-1962
E.E. Cummings
Progress: 166/1102 pages
The Complete Plays and Poems
E.D. Pendry, J.C. Maxwell, Christopher Marlowe
She Stoops to Conquer and Other Comedies (Oxford World's Classics)
Henry Fielding, David Garrick, Oliver Goldsmith
Progress: 164/448 pages

Reading progress update: I've read 970 out of 1344 pages.

The Complete Works (Oxford Shakespeare) - William Shakespeare, John Jowett, Gary Taylor

Timon of Athens


Allegedly Shakespeare's least popular play, written in collaboration with Thomas Middleton who wrote at least the whole of Act 3. Timon is astonishingly one-dimensional both as a play and a character who falling from power through naive and extreme generosity, turns into an extreme exemplar of misanthropy when he finds his friends faithless. It's like Lear raging against his fate but for two acts...the passion and vitriol is magnificently expounded but it does pall after a while. It's also a surprising contrast to the famously complex characterisation found in Shakespeare's major Tragedies. The plot is also exceedingly simplistic, even more so than a lot of the shenanigans of the Comedies.


Middleton's contributions, whilst not reaching the heights of Shakespeare's are nevertheless not bad in any way. Reading Shakespeare's collaborative plays is teaching me that many of his contemporaries, whether rivals or colleagues, were very able dramatists and worth pursuing on their own merits. Jonson is widely considered closest in stature to Shakespeare but Middleton is the collaborator/adaptor of MacBeth, which is many people's favourite "Shakespeare" play and his passages here stand up pretty well, too. I am, therefore, looking forward to tackling Thomas Middleton: The Collected Works (which cost a fortune but was a very well received gift.)


This feels in some ways like very early Shakespeare and it is therefore surprising to find it is supposed to have been written between the Quarto Lear and MacBeth. Some believe that the misanthropic tone professed by Timon, along with the already noted similarity to Lear's raging, are indicative of some kind of crisis in Shakespeare's life during this period that left him feeling exceedingly negative about human nature - if so, it might also explain why the late comedies are "darker" in tone, too.


I find myself in agreement with the critics who say Timon is great poetry but not great drama and that most audiences will little appreciate it because they will not be in sympathy with its mood.