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arbieroo

Arbie's Unoriginally Titled Book Blog

It's a blog! Mainly of book reviews.

Currently reading

The Maleficent Seven (From the World of Skulduggery Pleasant)
Derek (ireland) Landy
Progress: 24/288 pages
V for Vendetta
David Lloyd, Alan Moore
Progress: 30/296 pages
Woken Furies
Richard K. Morgan
Progress: 408/565 pages
Introduction to Topology
Bert Mendelson
Progress: 10/224 pages
Basics of Plasma Astrophysics
Claudio Chiuderi, Marco Velli
Progress: 58/250 pages
Ursula K. Le Guin: The Complete Orsinia: Malafrena / Stories and Songs (The Library of America)
Brian Attebery, Ursula K. Le Guin
Progress: 454/700 pages
A Student's Guide to Lagrangians and Hamiltonians
Patrick Hamill
Progress: 7/180 pages
Complete Poems, 1904-1962
E.E. Cummings
Progress: 166/1102 pages
The Complete Plays and Poems
E.D. Pendry, J.C. Maxwell, Christopher Marlowe
She Stoops to Conquer and Other Comedies (Oxford World's Classics)
Henry Fielding, David Garrick, Oliver Goldsmith
Progress: 164/448 pages

Reading progress update: I've read 159 out of 448 pages.

She Stoops to Conquer and Other Comedies (Oxford World's Classics) - Henry Fielding, David Garrick, Oliver Goldsmith

The Clandestine Marriage, Garrick and Colman

 

Clandestine marriages were a hot political topic at the time of writing (mid 1700s), with numerous young lovers eloping to Gretna Green in order to get married against parental wishes and avoid arranged marriages that had little motivation beyond the financial and social climbing aims of parents. This play comes down heavily and unsubtly on the side of young love, with every character's portrait singly coloured using a paint roller in order to fit in with the necessary scheme. A bunch of stereotypes, really, the worst of which is the Swiss idiot who exists solely so he can be portrayed as a moron with a silly accent whilst serving as confidente to someone else who is pivotal to the plot. Stereotypes heightened for comedic effect, bumbling around chaotically getting into a huge tangle that gets resolved extremely quickly in the fifth Act with much ado and hullabaloo preceding.

 

It's saving grace is that it is funny, whilst making its swipe at marriage laws, the crude taste of the nouveau riche merchants and speculators, the snobbery of Old Money and the notion that income is more important than affection when it comes to marriage. It would be even more so in performance, so it's disappointing to learn that the play has received little attention in recent years, though it has been filmed once. This, however, does not apply to the Epilogue which, despite its attempt at meta-humour about Society and Theatre, is just utter garbage.