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arbieroo

Arbie's Unoriginally Titled Book Blog

It's a blog! Mainly of book reviews.

Currently reading

Life and Letters of Charles Darwin - Volume 1: By Charles Darwin - Illustrated
Charles Darwin
Progress: 152/346 pages
Ursula K. Le Guin: The Complete Orsinia: Malafrena / Stories and Songs (The Library of America)
Brian Attebery, Ursula K. Le Guin
Progress: 359/700 pages
Plasma physics
R.A. Cairns
Progress: 18/244 pages
Selected Short Stories - Conrad (Wordsworth Classics)
Keith Carabine, Joseph Conrad
Progress: 142/272 pages
A Student's Guide to Lagrangians and Hamiltonians
Patrick Hamill
Progress: 7/180 pages
Complete Poems, 1904-1962
E.E. Cummings
Progress: 108/1102 pages
The Complete Plays and Poems
E.D. Pendry, J.C. Maxwell, Christopher Marlowe
She Stoops to Conquer and Other Comedies (Oxford World's Classics)
Henry Fielding, David Garrick, Oliver Goldsmith
Progress: 76/448 pages
Shakespeare and the Goddess of Complete Being
Ted Hughes
Progress: 471/517 pages
Gravitation (Physics Series)
Kip Thorne;Kip S. Thorne;Charles W. Misner;John Archibald Wheeler;John Wheeler
Progress: 48/1215 pages

The Door in the Moon, Catherine Fisher

The Door in the Moon (Chronoptika) - Catherine Fisher

The third and penultimate volume of the Chronoptika saga - and here I use "saga" in it's most negative sense of long-winded dullness.

 

I re-read the preceding two volumes in order to remind myself what was going on, a procedure I usually adopt if I've waited a year or so for the latest installment of a series to appear. Generally this works out fine but in this case it served to highlight and re-enforce the problems that have been present from the outset; these are poor characterisation, too many protagonists and plot incoherence.

 

Tackling the latter-most first, I head off on an apparent name-dropping digression: I met Catherine Fisher, once, at a talk she gave about Incarceron. I was the only adult there who wasn't a host or a school kid... Still, she was kind enough to sign my vast stack of her books afterward and further discuss her writing. I was shocked to discover that she doesn't plan her novels at all. This seemed hardly thinkable to me; I couldn't see how I would be able to write a novel without some planning, considering that stories that enter my mind generally do so as a final scene followed by an initial scene, leaving me the problem of how to link the two up...

 

...which leads me back here, where Fisher's lack of planning seems all too believable. It feels like what really happened here is that she wrote a single text then divided it up into four more or less equal-sized volumes after the fact. She starts in Vol. 1 by introducing more and more protagonists and complications of plot with little idea of where it's all going and took the remaining three volumes to sort out the mess which, here at the end of Vol.3 is only just beginning to simplify or cohere at all. Random plot threads appear and resolve without really seeming to move the whole mess forward at all. The whole mess of shifting loyalties of the protagonists has mostly failed to intrigue me because...

 

...characterisation in this book seems to consist primarily of giving each character one flaw and one obsessive motivation. It isn't enough; I just don't sympathise with most of the characters.

 

At this point I'm inclined to read the final volume when it appears because I am intrigued by certain things that remain mysterious - primarily the relations between two characters that have remained Mysterious and how Fisher manages to untangle all the myriad plot threads and tie them up in a neat bow for an ending - if she can!

 

It's disappointing, because over-all I'm a Fisher fan but this series continues her recent trend of using unsympathetic characters that make it difficult to care about the story.