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arbieroo

Arbie's Unoriginally Titled Book Blog

It's a blog! Mainly of book reviews.

Currently reading

Station Zero
Philip Reeve
Progress: 220/282 pages
The Books of Earthsea: The Complete Illustrated Edition
Ursula K. Le Guin, Charles Vess
Progress: 749/997 pages
The Penguin Book of Russian Poetry
Robert Chandler
The Uncertain Land and Other Poems
Patrick O'Brian
Progress: 8/160 pages
The Heptameron (Penguin Classics)
Marguerite de Navarre
Progress: 152/544 pages
The Poems and Plays of John Masefield
John Masefield
Progress: 78/534 pages
Poems Selected
Emily Dickinson, Ted Hughes
Progress: 4/50 pages
Selected Poems
U A Fanthorpe
Progress: 18/160 pages
The Penguin Book of Scottish Verse
Mick Imlah, Robert Crawford
Hainish Novels & Stories, Vol. 2
Ursula K. Le Guin
Progress: 133/789 pages

The Violet Keystone

The Violet Keystone - Garth Nix

Looking back at this series from some distance (it's months since I read this volume and years since I started the series) it feels very much like an author learning his trade; the contrast in writing quality between first and last volumes is large. Perhaps the best aspect of the series is the imagination on display, which certainly intimates what Nix would prove capable of in later works, particularly the Old Kingdom and Keys to the Kingdom series.

 

The latter stages are better than some of his stand-alone novels and the first two Trouble-Twisters books. The reason for this is given away in Nix' short story collection. He mentions that he never bothers to work out more detail in his imagined worlds than is necessary for the plot. Hence the more wide-ranging and longer the series, the more fully realised the world becomes - and this shows very clearly indeed. The way to convince people an imagined place is real is to make people think there is plenty more to learn that they have not been told. This can only be done if the world does exist in the writers imagination well beyond the bounds of the story in the book. History, language and culture are all required facets. Unfortunately in fantastical fiction writing of any variety, as in so many other trades, the more effort you put in the better the result you get out.